Bruno Morassutti (1920-2008) was a prominent Italian architect and designer, known for his rational and innovative approach, with a strong focus on functionality and material experimentation. Born in Padua, he studied at the Istituto Universitario di Architettura in Venice, where his mentors included Franco Albini and Carlo Scarpa. After graduating, Morassutti spent some time in the United States, working at Frank Lloyd Wright’s studio in Taliesin, an experience that influenced his style, oriented towards essential lines and the harmony between buildings and their environment. In 1969, Morassutti founded the design studio “Morassutti & Associati Architetti” with Giovanna Gussoni, Mario Memoli, and his wife Maria Gabriella Benevento, with whom he developed significant projects in architecture and design. One of the outcomes of this collaboration is the famous **model 450 chair**, designed for Bernini, which combines wood and rubber in an innovative structure and is now part of the permanent collection of the Design Museum at the Triennale in Milan. The chair, thanks to its foldable structure and the comfort provided by the use of elastic materials, represents a perfect example of the studio’s rational approach and continuous technical experimentation. Morassutti also collaborated with architect Angelo Mangiarotti in the 1950s, developing iconic projects for private residences and design furniture based on modular and prefabricated solutions, during a time when these approaches were particularly innovative. Morassutti’s career, characterized by rigor and a modernist vision, left a lasting impact on the Italian architectural and design scene. Morassutti and his studio embodied the essence of Italian design, merging aesthetics and functionality in works that remain today as benchmarks for innovation and research in the field of architecture and design.
IBM Training Center, Novedrate (CO), Architecture and design by MORASSUTTI & Associates, 1973 - Furnished house in Milan, a seven-story building that could be equipped with modular furniture, published in Domus No. 372, November 1960.